What a shoot day looks like here

A dolly shot at the carport in the morning, a dialogue scene on the living room sofa, a scene at the backyard outbuilding, and video village under the trees for the afternoon.

A film crew shooting in the driveway: a camera on a dolly and track aimed at two actors in 1960s costume by the carport, a boom operator, grips holding a large diffusion frame, the director at a monitor cart, and a white grip truck at the curb — ON SET: DRIVEWAY, DOLLY ON TRACK

A film crew shooting in front of the mid-century backyard outbuilding: two actors in 1960s costume by its yellow double doors, a camera on a tripod, a boom microphone, a bounce reflector and a film light on the stone path — ON SET: BACKYARD OUTBUILDING

A film crew shooting in the mid-century living room: two actors in 1960s costume on the long mustard sofa, a camera on a dolly and track on the rug, a boom microphone overhead and softbox lights beside the brick wall — ON SET: LIVING ROOM, DOLLY ON THE RUG

A film crew working in the backyard: dolly track across the lawn, a video village canopy with monitors and director chairs, an overhead silk shading two actors at a picnic table, lights on stands and apple boxes by a tree — ON SET: BACKYARD, VIDEO VILLAGE UNDER THE TREES

Concept images: made with AI from real photos of this house to show how a crew could work here. The architecture is real. The crew, equipment and vehicles are imagined.

A sample call sheet

One way a day here could run, from crew call to wrap.

Works well for: Features, series, commercials, music videos and stills, from one day to several weeks

CALL SHEET - DAY 1 OF 2

6:00 AM. Crew call. Production vans stage in the driveway. Carport becomes the equipment cart lane.

6:30 AM. Hair and makeup set up in a spare bedroom. Wardrobe takes the room next door. Holding in the family room.

7:30 AM. EXT. SPLIT LEVEL HOUSE - MORNING. Dolly track down at the carport. First shot up.

10:30 AM. INT. LIVING ROOM - DAY. Dolly track on the rug. Dialogue on the mustard sofa, softboxes off the brick wall.

12:30 PM. Lunch.

1:30 PM. EXT. BACKYARD OUTBUILDING - AFTERNOON. Camera on sticks on the stone path, bounce off the yellow doors.

3:30 PM. EXT. BACKYARD - AFTERNOON. Video village under a canopy in the corner. Silk up over the picnic table.

6:00 PM. Wrap. Gear stays on site overnight behind the smart lock and cameras.

Where you would shoot it

This is the real space, as it looks today.

The real front of the house and driveway in fall — EXT. SPLIT LEVEL HOUSE - LATE AFTERNOON (REAL PHOTO)

Parking for 10 vehicles

Room for 7 on the property, in the carport, the side pull-off and the driveway, plus street parking for 3 more out front.

Rooms for every department

Spare rooms work as holding, hair and makeup, wardrobe, equipment staging and video village.

Modernized electrical

A new electrical panel with surge protection. Your gaffer is welcome to look it over on the walkthrough.

Secure overnight

Security cameras and a smart lock, so gear can stay on site between shoot days.

Permits in one place

Film permits come from the City of Doraville, with at least five business days of notice.

One point of contact

The property manager answers questions about access, changes and dates directly.

See it in person

The house is unoccupied, with a property manager checking in daily, and now booking for 2026 to 2027 filming. Changes are welcome inside and out. Book a walkthrough and bring your ideas.

Book a walkthrough